A behind-the-scenes glimpse into making the 4th Twilight film.

A behind the scenes look at the making of ‘Breaking Dawn - part 2’

Within the confines of an insane asylum languish many would-be seers and messiahs. Medical students meet them day in, day out. But when Eve meets Don Wake, she discovers he's not your run-of-the-mill paranoic. In fact, his visions of her life on the outside tread the line between fantasy and reality as a stalker becomes known to her. She could be in danger; it could all be in her head.

Lust follows desire as sure as night follows day, but in these five stories from France, Switzerland, Brazil and Romania, reality takes an unexpected detour, and things turn out a little differently when sunrise comes.

An epic drama depicting the lineage of a military family that lived for three generations before, during, and after World War II, against the backdrop of the turbulent history of the Showa period and the magnificent nature of Hokkaido.

Tuyul reimagines the story of the Indonesian urban mythical spirit. Young couple Daniel and Mia move into Mia's recently deceased mother's old house to save up money before the birth of their first child. After cleaning up one of the rooms, Daniel finds a bottle hidden mysteriously underneath the broken wooden floor. The empty bottle might be home to a creature that could potentially put Daniel, Mia, and their unborn child in danger.

A spirtual successor to Manny Velazquez's underground independent cult horror film Savage High (2015) that is a prequel and a sequel together taking place before and after the events of 'Savage High' exploding now involving a b-movie actress's cousin Kamila Sanchez (played by Angie Velazquez) is kidnapped by a madman who will not stop until he get's his revenge upon the actress Delia Fox (played by Adriana Carradero).

这部电影以印度史诗《摩诃婆罗多》为蓝本进行重新演绎，从第二位般度五子之一毗摩塞纳（Bhimasenan）的视角展开叙述。

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

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